N.S. 2011, a set by Schooner Adventuress on Flickr.
Photo:Part 3
Tuesday, April 12, 2011
Thursday, March 17, 2011
#15 - Emulation
Emulate a Photographer and Power Point Presentation
First, research a famous photographer's work that you enjoy. Give a brief description of the style of the photographer you choose in the beginning of your PowerPoint.
Pick three photographs by that photographer and try to duplicate those images using your own style and/or variation. You don't have to copy the image, but instead be inspired by the photographer's work. Put the orginial work on a PowerPoint slide and then your work on the next slide. You will be presenting this to the class on the 30th.
Here is a short list of photographers to get you started:
Diane Arbus
David Hockney
Edward Weston
Elliot Erwitt
Annie Liebovitz
Mary Ellen Mark
Ralph Meatyard
Jerry Uelsmann
May Ray
William Eggleston
Eugene Atget
Walker Evans
Pick three photographs by that photographer and try to duplicate those images using your own style and/or variation. You don't have to copy the image, but instead be inspired by the photographer's work. Put the orginial work on a PowerPoint slide and then your work on the next slide. You will be presenting this to the class on the 30th.
Here is a short list of photographers to get you started:
Diane Arbus
David Hockney
Edward Weston
Elliot Erwitt
Annie Liebovitz
Mary Ellen Mark
Ralph Meatyard
Jerry Uelsmann
May Ray
William Eggleston
Eugene Atget
Walker Evans
Wednesday, March 9, 2011
Broken and Scraped #14
Create interesting photographs of objects or people that are broken and/or scraped. I want you think think about this literally and figuratively. Here are some examples:
Some of these are more unique and interesting than the others, but I want to give you an idea of what I am looking for. As always, pay attention to composition and lighting and make your photo interesting!
Due March 18th
Some of these are more unique and interesting than the others, but I want to give you an idea of what I am looking for. As always, pay attention to composition and lighting and make your photo interesting!
Due March 18th
Thursday, March 3, 2011
Ghosting and Painting With Light #13
The Part 1, Part 2, and Part 3 students will be working on this assignment together. This is an in-class assignment.
I will be showing you images of past student work in class, but if you would like to learn more about these techniques go to the following website
I will be showing you images of past student work in class, but if you would like to learn more about these techniques go to the following website
Thursday, February 17, 2011
Leading Lines, Texture, Pattern - #12
Your next assignment (after "macro") is Pattern, Texture, and Leading Lines. This is assignment #12. Please post 10 images with at least one image from all three of these compostional elements on your page. For example, if you really love your texture pictures, post 8 of them, 1 pattern, and 1 texture for a total of 10 images.
Due March 4th.
Using Leading Lines helps your eye move through the photograph. Viewers get bored when the subject matter is very easy to find and no eye movement takes place. It can literally be a line that your eye follows. When using the leading lines element of photography consider putting the subject at the end of the leading lines trail. For example, in the photograph below my eye goes from the bottom on the photograph at that railing, follows the railing, and then goes to the cyclist, which is the main subject of the photo. It is OK if you do not see it now. The more you look at photographs the easier this will come, I promise!
Due March 4th.
Using Leading Lines helps your eye move through the photograph. Viewers get bored when the subject matter is very easy to find and no eye movement takes place. It can literally be a line that your eye follows. When using the leading lines element of photography consider putting the subject at the end of the leading lines trail. For example, in the photograph below my eye goes from the bottom on the photograph at that railing, follows the railing, and then goes to the cyclist, which is the main subject of the photo. It is OK if you do not see it now. The more you look at photographs the easier this will come, I promise!
Henri Carrier-Bresson
Ansel Adams
Ralph Meatyard
Texture
Edward Weston
Texture can be seen everywhere, you just need to look for it. Textures are: smooth, shiny, bumpy, rough, and soft. Personally, I perfer to take pictures of rough textures, but you can choose to do whatever you would like as long as it is a texture. In most cases you will need to be close to the subject and the texture will show up best with dramatic lighting. Dramatic lighting usually occurs when the subject is lite from the side and there is strong contrast between highlights and shawdows.
Wednesday, February 16, 2011
Pattern
Using pattern will enhance your photos by controlling the viewers attention. Repeating lines and shapes can be found everywhere. While you shoot keep your eyes open for simple, everyday situations and objects.
Pay special attention to the lighting and distance from the subject. Try using the macro or close-up feature on your camera. Both professional and amateur photographers use pattern to make their photographs effective.
Kitchen (Hidalgo County, Texas)
Russell Lee
Russell Lee
Pay special attention to the lighting and distance from the subject. Try using the macro or close-up feature on your camera. Both professional and amateur photographers use pattern to make their photographs effective.
Wamu Center
Stephen Rosen
Pods of Chance
Olivia Parker
Olivia Parker
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